Minggu, 26 September 2010

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The Old Testament: An Introduction, by Rolf Rendtorff

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The Old Testament: An Introduction, by Rolf Rendtorff

The Old Testament is a collection of writings which came into being over a period of more than a thousand years in the history of the people of Israel and which reflect the life of the people in this period. Therefore, there is a reciprocal relationship between the writings or "books" of the Old Testament and the life of Israel in its history. The understanding of the texts presupposes insights into the historical context and the development of the life of Israelite society, while at the same time the texts themselves are the most important, indeed for the most part the only, source for it. This "Introduction" attempts to take account of this reciprocal relationship. The first part deals with the history of Israel. However, its approach differs from most accounts of this history. It takes the Old Testament texts themselves as a starting point and first of all outlines the picture of historical developments and associations which the texts present. An attempt is then made, on this basis, to reconstruct historical developments by introducing material from outside the Bible. This method of working leads to close connections between the second and third parts, because it has to take account of the nature and original purpose of the texts and their function within the biblical books as they are now. The second part attempts to present the texts collected in the Old Testament as expressions of the life of Israel. The third part discusses the books of the Old Testament in their present form.

  • Sales Rank: #1653620 in Books
  • Published on: 1991-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .68" w x 5.98" l, 1.13 pounds
  • Binding: Paperback
  • 324 pages

Language Notes
Text: English, German (translation)

About the Author
The Revd Dr. John Bowden, is the former Editor and Managing Director of SCM Press. He is the author of several books and articles, and has translated numerous religious books from German, French, and Dutch. .

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0 of 2 people found the following review helpful.
Five Stars
By Eddie Marrero
Excelent book

26 of 53 people found the following review helpful.
Uninspired view of the Bible
By Richard Fitzgerald
Rendtorff has provided his readers with a unique introduction to the Old Testament. He makes it clear in the introduction to the book that this volume is not concerned with a detailed look at the theology of the Old Testament (p. x). It grows out of the insight that understanding the biblical texts "presupposes insights into the historical context" (p. ix); however, the biblical texts are "the most important, indeed for the most part the only source" (p. ix) for the historical context. This reciprocal relationship of the biblical texts and the historical context shapes the entire book.
This reciprocal relationship is described in the three parts of the book. The first two sections develop this relationship quite fully, by approaching history and the text from opposite perspectives. When you are finished with the first two sections of the book you are left with an appreciation of the tensions that exist between the Old Testament text and the history of Israel.
The first part looks to the Old Testament text as a source of the history of Israel. It takes a chronological approach to the texts and attempts to reconstruct the history of Israel. Rendtorff gives many examples of the difficulties in doing this by making clear the various gaps in the Old Testament's record of Israel's history.
The second part takes the opposite approach and explores how the Old Testament, as literature, grew out of the social structure of Israel. Here Rendtorff uses five different aspects of ancient near east culture-local community, legal system, religious system, the monarchy, and the prophets-to develop his theme. In each of these cultural areas he shows how different genres of the biblical literature grew naturally from their life settings.
The third, and longest, part looks at each individual book of the Old Testament. In this section Rendtorff follows "the course of the traditions as `literature'." By looking at the final forms of the books as the theological literature of Israel Rendtorff attempts to show the Jewish religious community at work. In doing this, he synthesizes separate ideas that were developed in the first two sections of the book. There are many difficulties with this book. The flaws in it are very serious. In spite of the many problems with this book, there are several reasons to recommend this book to the reader.
The different approaches the book takes to the Old Testament text gives the reader new insights into the meanings of various areas of the Old Testament. The third section of the book gives a wealth of information in one location about the natural breaks in the biblical text. This kind of information can help with interpretation of the text as well. Careful consideration of this third section would help anyone trying to understand some of the more obscure passages of the Old Testament.
There is an extensive bibliography at the end of each topic. This arrangement is useful for someone searching for a specific type of text. The usefulness of these bibliographies, however, may be limited for English speaking readers since many of the works listed seem to be in German.
The editing of the book is poorly executed. There are numerous spelling and grammatical errors. It would appear that the translator doesn't know English as thoroughly as German. And the editors of the English version apparently spent little energy in proofreading the manuscript. The reference system in the margins of the book could be very useful to the scholar. Its usefulness, however, is compromised by numerous errors. For instance, the discussion of Exodus in the third part of the book is labeled by the reference system as "Genesis" (pp. 139-144).
Rendtorff handles the Bible as if it were any other important historical document. In ignoring the issue of inspiration from God, Rendtorff wanders astray in some of his thinking. This is the most damaging problem in this book; even though Rendtorff handles the text carefully and with respect, he seems unaware of the living nature of the text. Nowhere in this book will you find a discussion of the central theme of the text, the record of redemptive history. By handling the text like it is merely an important historical document Rendtorff has ignored the meaning and the importance of God's Word.

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Rabu, 22 September 2010

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The Vanishing Hitchhiker: American Urban Legends and Their Meanings

  • Binding: Paperback

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The 1001 Arabian Nights

The 1001 Arabian Nights
tr. by Sir Richard Burton

"One Thousand and One Nights is a collection of stories collected over thousands of years by various authors, translators and scholars in various countries. These collections of tales trace their roots back to ancient Arabia and Yemen, ancient India, ancient Asia Minor, ancient Persia, ancient Egypt, ancient Mesopotamian Mythology, ancient Syria, and medieval Arabic folk stories from the Caliphate era. Though an original manuscript has never been found, several versions date the collection's genesis to somewhere between AD 800-900.

What is common throughout all the editions of The Nights is the initial frame story of the ruler Shahryar and the framing device incorporated throughout the tales themselves. The stories proceed from this original tale; some are framed within other tales, while others begin and end of their own accord. Some editions contain only a few hundred nights, while others include 1001 or more "nights."

The collection, or at least certain stories drawn from it (or purporting to be drawn from it) became widely known in the West during the nineteenth century, after it was translated - first into French and then English and other European languages. At this time it acquired the English name The Arabian Nights Entertainment or simply Arabian Nights. The best known stories from The Nights include "Aladdin's Wonderful Lamp," "Ali Baba and the Forty Thieves," and "The Seven Voyages of Sinbad the Sailor." Ironically these particular stories, while they are genuine Middle Eastern folk tales, were not part of the "Nights" in its Arabic versions, but were interpolated into the collection by its early European translators."

  • Sales Rank: #1527211 in eBooks
  • Published on: 2010-09-20
  • Released on: 2010-09-20
  • Format: Kindle eBook

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24 of 26 people found the following review helpful.
This Translation Not Suitable for Light Reading
By Ana Mardoll
The Arabian Nights / B0043VE058

I'm a bit of an "Thousand Nights" enthusiast -- I enjoy the stories immensely and I have four separate translations in my personal library. Several friends have asked me to discuss the differences between the editions, so I thought I'd present a four-way comparison and then talk about which version is best for which audience.

For the purposes of the four-way comparison, I will draw text from the opening tale of the two kingly brothers in order to highlight how each popular version handles "adult" content and racial content.

-- The Tale of King Shahryar and of his Brother, King Shahzaman --
Now there were in the King's palace certain windows that looked on to the garden, and, as King Shahzaman leaned there and looked out, the door of the palace opened and twenty women slaves with twenty men slaves came from it; and the wife of the King, his brother, was among them and walked there in all her bright beauty. When they came to the pool of a fountain they all undressed and mingled one with another. Suddenly, on the King's wife crying: 'O Masud! Ya Masud!', a gigantic negro ran towards her, embraced her, and, turning her upon her back, enjoyed her. At this signal, all the other men slaves did the same with the women and they continued thus a long while, not ceasing their kisses and embraces and goings in and the like until the approach of dawn.
-- Madrus & Mathers edition

-- The Tale of King Shahriar and of his Brother, King Shahzenan --
One day, Shahriar had started on a great hunting match, about two days' journey from his capital; but Shahzenan, pleading ill health, was left behind. He shut himself up in his apartment, and sat down at a window that looked into the garden. Suddenly a secret gate of the palace opened, and there came out of it twenty women, in the midst of whom walked the Sultaness. The persons who accompanied the Sultaness threw off their veils and long robes, and Shahzenan was greatly surprised when he saw that ten of them were black slaves, each of whom chose a female companion. The Sultaness clapped her hands, and called: "Masoud, Masoud!" and immediately a black came running to her; and they all remained conversing familiarly together.
-- Muhsin al-Musawi edition

-- The Tale of King Schahriar and of his Brother, King Schahzeman --
Now the Sultan Schahriar had a wife whom he loved more than all the world, and his greatest happiness was to surround her with splendour, and to give her the finest dresses and the most beautiful jewels. It was therefore with the deepest shame and sorrow that he accidentally discovered, after several years, that she had deceived him completely, and her whole conduct turned out to have been so bad, that he felt himself obliged to carry out the law of the land, and order the grand-vizir to put her to death.
-- Lang edition

-- The Tale of King Shahryar and of his Brother, King Shah Zaman --
Thereupon Shah Zaman drew back from the window, but he kept the bevy in sight espying them from a place whence he could not be espied. They walked under the very lattice and advanced a little way into the garden till they came to a jetting fountain amiddlemost a great basin of water; then they stripped off their clothes and behold, ten of them were women, concubines of the King, and the other ten were white slaves. Then they all paired off, each with each: but the Queen, who was left alone, presently cried out in a loud voice, "Here to me, O my lord Saeed!" and then sprang with a drop leap from one of the trees a big slobbering blackamoor with rolling eyes which showed the whites, a truly hideous sight. He walked boldly up to her and threw his arms round her neck while she embraced him as warmly; then he bussed her and winding his legs round hers, as a button loop clasps a button, he threw her and enjoyed her.
-- Burton edition

-------

For my money, the superior volume by far is the Madrus & Mathers edition. The editor and translator have deliberately worked the translation to be as readable to the English eye as possible, even making judicious choices about where to refrain from using diacritical points (single quote sound points, as in 'ain) in order to ease the reading experience. They've made a concerted effort to retain the adult content without being lewd, the racial content without descending into offensive caricature, the poetic content without overwhelming the reader, and the entire content without condensing the text and losing material. The Madrus & Mathers editions comprise four giant volumes, but the casual enthusiast will be more than satisfied with just volume one, and with over 600 pages of stories in the electronic edition, the reader will have plenty of reading material available.

For children, however, the superior volume is probably the Muhsin al-Musawi edition. This edition is condensed, but the editing was done with great care to maintain story structure and content. The adult content has been toned down considerably, the racial content has been handled tactfully, the extra songs and poems have been almost entirely removed, and there are interesting and attractive pictures in the electronic edition. My biggest complain here is that the adult content has been excised to a degree that almost brings unfortunate implications: when adultery is characterized as "conversing", the angry and jilted husband seems to be seriously over-reacting. Still, if you want a sanitized version of the tales, the al-Musawi edition is almost certainly the way to go.

I do not recommend the Lang edition. Lang's fairy tale collections, such as the color fairy tale books, are usually a delight, but his Arabian Nights edition is thin on content and heavily paraphrased. The stories are gutted to remove the adult content and shorten the tale length for children, but in many cases the changes are not carefully glossed over, and huge plot holes and unresolved threads are left dangling. I've never met a Lang reader who didn't ask me what was going on in one tale or other because the translation is so poorly rendered.

Neither do I recommend the Burton version. If anything, the Burton version has the exact opposite problems as the Lang version: Burton's edition lengthens the stories with extensively lewd descriptions and offensive racial imagery. The edition was also rendered in the 1800s, and the language within has not aged well -- there are all lot of "forsooth"s and "verily"s that bog down the reading. If you're interested in a historical analysis of how these tales have been rendered over the years, by all means become familiar with the Burton version, but if you're just looking for light bedtime reading, give the Burton edition a pass.

I hope that this comparison will be helpful. This particular listing here is for the Burton edition which I really cannot recommend except for those interested in historical analysis.

~ Ana Mardoll

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Jumat, 10 September 2010

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Digital Sonar Design in Underwater Acoustics: Principles and Applications (Advanced Topics in Science and Technology in China) [Hardcover]

  • Published on: 2011
  • Binding: Hardcover

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Sabtu, 04 September 2010

[I147.Ebook] Download Ebook The Conquest of the Ocean, by Brian Lavery

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The Conquest of the Ocean, by Brian Lavery

A captivating tale spanning 5,000 years of the oceans' history, The Conquest of the Ocean tells the stories of the remarkable individuals who sailed seas, for trade, to conquer new lands, to explore the unknown.

From the early Polynesians to the first circumnavigations by the Portuguese and the British, these are awe-inspiring tales of epic sea voyages involving great feats of seamanship, navigation, endurance, and ingenuity. Explore the lives and maritime adventures, many with first-person narratives of land seekers and globe charters such as Christopher Columbus, Captain James Cook, and Vitus Bering.

  • Sales Rank: #376763 in Books
  • Brand: Brand: DK ADULT
  • Published on: 2013-08-19
  • Released on: 2013-08-19
  • Format: Unabridged
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.51" h x 1.26" w x 6.38" l, 2.05 pounds
  • Binding: Hardcover
  • 400 pages
Features
  • Used Book in Good Condition

From School Library Journal
Gr 8 Up–Lavery offers 5000 years of ocean history in this lavishly illustrated and readable work. Although stating that the oceans can never be conquered, he narrates many stories of bravery, perseverance, and greed that resulted in the exploration of unknown worlds. Beginning with the first sailors of Polynesia, the Mediterranean, China, and Arabia, and covering oceangoing activities until modern times, this book has a vast reach. Much of the text consists of first-person narratives, often personal and exciting in the telling of great dangers and adventures. Included are discussions of the great explorations of the New World; the unbelievable travels of the extraordinary 15th-century Chinese seaman Zhen He, covering 30,000 miles in a flotilla totaling 27,000 men; the vast Viking journeys; and the use of naval power as a force for conquest. In the modern era, luxury ocean liners, America's Cup races, and World Wars are reviewed as well as the vast oversea migrations of the 19th century. The voices quoted give substance to the facts and figures outlining victory and loss. Piracy is a constant theme; whether for personal gain or in the employ of monarchs, the oceans were fair game for theft and plunder. Fittingly the last chapter relates to the treacherous Somali pirates of today. Photos, reproductions, diagrams, or maps appear on almost every page. The well-researched and popularly presented text is aided by an ample glossary, bibliography, and index. Useful for research and enjoyable for leisure reading for students interested in naval history, exploration, and adventure.–Eva Elisabeth VonAncken, formerly at Trinity-Pawling School, Pawling, NYα(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

From Booklist
The human story of nautical navigation was, until the Age of Discovery, mostly confined to waters within sight of land. There were exceptions before then, bespeaking bolder souls who ventured over the aqueous horizon: the Polynesians, the Vikings, and the Chinese fleets of Zheng He. Given prominence in this survey history, these groups receive an arresting graphic presentation of maps, images of ships and instruments, and portraits of sailors that support the efficient text, according to a design-template into which the publisher places every topic Lavery sees fit to include. A British museum curator and prolific author of maritime histories, Lavery has a sound sense of how to interest new readers. He accentuates human-interest angles by quoting memoirists who experienced a famous naval battle or shipwreck or by sketching key individuals in the development of technological advances, such as ocean liners, submarines, and containerized shipping. Lavishly illustrating the extension of sea travel to transoceanic dimensions, Lavery’s work ably serves a collection’s need for a general, visually attractive chronicle of ships, sailors, and the sea. --Gilbert Taylor

Review
"[Author Brian] Lavery has a sound sense of how to interest new readers. He accentuates human-interest angles by quoting memoirists who experienced a famous naval battle or shipwreck or by sketching key individuals in the development of technological advances, such as ocean liners, submarines, and containerized shipping. Lavishly illustrating the extension of sea travel to transoceanic dimensions, Lavery's work ably serves a collection's need for a general, visually attractive chronicle of ships, sailors, and the sea." – Booklist

"[A] lavishly illustrated and readable work…Useful for research and enjoyable for leisure reading for students interested in naval history, exploration, and adventure." – School Library Journal

"Lavishly illustrating the extension of sea travel to transoceanic dimensions, [author Brian] Lavery's work ably serves a collection's need for a general, visually attractive chronicle of ships, sailors, and the sea." – Booklist

Most helpful customer reviews

32 of 35 people found the following review helpful.
Pretty But Episodic
By Daniel Weitz
This book is beautifully illustrated with contemporary art and DK's trademark artwork. There are innumerable color illustrations and diagrams of ships; together with very useful custom maps of oceans winds and currents; and which if included in other works are often confusing and hard to follow.

The problem with this work is the text. There are many errors: for example HMS Hood was not sunk off Scapa Flow (page 316); Japanese carriers did not have deck loads of aircraft at Midway when the Americans counter-attacked (page 321). The text itself is episodic; notable for its omissions. There is no discussion of Hellenistic seafaring in the Mediterranean or the Indian Ocean; and oddly enough the entire revolution in the cruising industry, in which arguably more people have sailed than ever before is ignored.

The bibliography, while limited has many useful works, particularly references to original sources.

Far more useful and a delight to read is Brian Fagan's lyricBeyond the Blue Horizon: How the Earliest Mariners Unlocked the Secrets of the Oceans. More comprehensive and scholarly is Lincoln Paine's The Sea and Civilization: A Maritime History of the World

10 of 11 people found the following review helpful.
Sea Fever
By Robin Friedman
"I must go down to the sea again, to the lonely sea and sky." John Masefield's poem, "Sea Fever", is one of innumerable literary examples of the fascination the sea has exerted over the ages. In his new book, "The Conquest of the Ocean: an Illustrated History of Seafaring" (2013), Brian Lavery offers an accessible history of the relationship between human beings and the ocean. Lavery, Curator Emeritus at the National Maritime Museum, Greenwich, London, has written more than 30 books about seafaring. He also served as a consultant on, among other things, the filming of Patrick O'Brian's novel, "Master and Commander".

"The Conquest of the Ocean" is a glossy book of about 400 pages consisting of Lavery's text together with many illustrations of ships and sea scenes, seafarers, maps, maritime equipment, and more. The illustrations are in color and well reproduced. Lavery's text is clear and accessible to lay readers with maritime terms explained when they are used. Lavery writes with a lifelong enthusiasm for his subject, the most important factor in a historical overview of this type. The book consists of passages of history and of explanations of the oceans and of the technology of understanding the sea together with extended passages of storytelling.For example, Lavery tells the story of Matthew Maury, the first Superintendent of the Depot of Charts and Instruments in Washington, D.C. As a young naval officer riding a stagecoach late at night, Maury offered his seat to a lady and went to the top of the coach. When the coach overturned, Maury broke his leg, ending his naval seagoing career at once. Confined to a desk, Maury began the detailed scientific studies that soon brought him recognition as the founder of the science of oceanography.

The book offers an overview of sea fever beginning with prehistoric times and continuing to the present day. The many subjects covered include the exploration of the sea by different peoples, mapmaking, shipbuilding over the centuries, including sail, steam, submarines, and nuclear power, seafaring and commerce, the era of the slave ship, famous sea battles, sea disasters, the development of the science of oceanography, piracy, luxury ships, yachting, cruising, and more.

The book is arranged in six large chronological followed by a glossary and a brief bibliography. The photos, art, and diagrams are well-integrated with the text. The book includes material that many readers will find familiar in addition to material that will likely be known primarily to students of the sea. There are good discussions of, for example, the Vikings, Christopher Columbus, the Battle of Trafalgar, and the D-Day landings. The final section on "The Global Ocean" includes a treatment of the Cuban Missle Crisis and the Falklands War, among other things. Lavery treats the exploits of John Paul Jones and of the Confederate ship the Alabama during the Civil War. Among other disasters, the book considers extensively the wreck of the Royal Charter off the coast of Wales in 1852.

With the range of coverage, it is unsurprising that some things are left out. England's 1588 defeat of the Spanish Armada is covered in a short paragraph. Other lesser-known aspects of the Spanish-English conflict receive fuller treatment. Lavery includes a two-page painting of the sinking of the Titanic but virtually no textual explanation. The book includes a good treatment of commercial whaling but no treatment of Melville or of "Moby-Dick". The book on the whole is devoid of literary references.

The book is written for an informed lay audience more than for readers with a thorough knowledge of the sea and of seafaring. It manages to be informative, absorbing, and highly entertaining. This book will please readers with sea fever -- any kind of yearning for or interest in the sea.

Robin Friedman

5 of 6 people found the following review helpful.
An excellent book for kids, ages 8-14. The selected topics gives the child an excellent perspective of world history
By Tom Brody
THE CONQUEST OF THE OCEAN by Brian Lavery is a 400-page history book about large boats and ships, beginning with the Egyptian, Greek, Phoenician (now Lebanon), and Viking ships dating from over 2000 years ago, continuing with the voyages of Columbus, with information on the Spanish Armada, details on the expeditions of Matthew C. Perry, the onset of submarines, and finally a few pages on exotic sailboats used in present day racing.

FORMAT. The book has large color illustrations on every other page. The illustrations are all excellent, as is the case with all of the other books published by DK books. Unfortunately, unlike the other DK books, the illustrations in CONQUEST OF THE OCEAN are not on glossy paper. A minor complaint concerns a funky aspect of the graphics. At intervals of every dozen pages or so, one finds that about 15% of the page is taken up by a “newspaper headline” in extremely large font. For example, we find a blazing headline reading: “LONGEST OCEAN CROSSING BY POLYNESIAN EXPLORERS=2,000 MILES” (page 16). Also we find, “TOTAL DEATHS FORM THE BATAVIA=220” (page 131). Also, we find, “DISTANCE OF MAGELLAN’S VOYAGE=37,560 MILES” (page 90). This sort of thing is sometimes found in magazine articles, where the goal apparently is to draw the reader into a particular article. However, in the context of a book, where the reader already has decided to read the entire book, this sort of thing is manneristic and annoying. In my opinion, DK Books needs to fire the editor who came up with these bizarre headlines.

CHAPTERS. There are six chapters, each chapter containing a dozen or so different topics:
(1) The first ocean sailors, to 1450.
(2) The age of exploration, 1450-1600.
(3) The age of empire, 1600-1815.
(4) Steam and emigration, 1815-1914.
(5) The wards on the oceans, 1914-1945.
(6) The global ocean, 1945-present.
DETAILS. The following discloses the material from a handful of the topics of this book. Each topic takes up about 5-6 pages in the book. Succeeding topics are totally different from each other, for example, hopping from one explorer to another explorer, or hopping from the topic of Chinese explorers to the topic of Arabian explorers.

CHINESE SAILING. We learn that the compass originate din China, and that the technology of the compass was transferred to the Arabs in the 13th century (pages 43-45). Pages 46-51 concern Zheng He, who commanded naval expeditions during the MING DYNASTY. His main goal under Emperor Chengzu was to establish shipping routes. Page 48 has picture of one of Zheng He’s 330-foot long ships. We learn that Zheng He sailed to Vietnam, Sumatra, Sri Lanka, and Hormuz.

MEXICO. Pages 94-103 disclose the conquest of Mexico. We learn that Cortes arrived at Tabasco with 100 sailors, 508 soldiers, and that the Aztecs gave him gold and 20 women, including the chief’s daughter, Dona Marina. We learn that Cortes introduced the Aztecs to horses and guns. We learn that some of Cortes’ men conspired to mutiny, and that Cortes had their leaders hanged, and the rest whipped. We read that the Aztecs did not have iron, or the wheel, or any written language. We learn of an 85 day siege, where Cortes captured Tenochtitlan, and conquered the Aztecs, and built Mexico City in its place.

SUBMARINES. Pages 258-265 concern early submarines. We read about John Holland’s ship, the FENIAN RAM, which was the first submarine that was designed, not only to sink, but also to float back up. FENIAN RAM had a gasoline engine, which was smaller than a steam engine. John Holland’s fifth submarine was THE PLUNGER, which as 85 feet long, but it was never launched. His next submarine was HOLLAND VI, which had an electric motor, and thus did not need air for burning fuel. We learn of the hardships of submariners at the time, e.g., the fact that clothes could not be dried in the submerged submarine, the fact that fires were not permitted, that bathing was not possible, the irritation caused by engine noise, and that the smell inside the submarine was horrible.

CONCLUSION. CONQUEST OF THE OCEAN makes excellent reading for kids between the ages of 8-14. This book enables the child to “learn what is out there” in the world. The writing is enticing, and does not include writing that is puffy or decorative. Aside from the bizarre newspaper headlines, the graphics and presentation in this book are excellent. For any child who reads this book, the information is likely to inspire additional readings in more detailed books that focus on one particular era of history, or that dwell more intensely on one particular technology.

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Kamis, 02 September 2010

[C357.Ebook] Download PDF The postage stamps of Japan and dependencies, by Alphonse Marie Tracey Woodward

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The postage stamps of Japan and dependencies, by Alphonse Marie Tracey Woodward

A Quarterman reprint of the complete text of the 1928 two volume edition. A valuable reference Woodward's 1928 work remains today an important and useful book, not as a bibliographic landmark but also as a practical guide to a complicated subject

  • Sales Rank: #5190666 in Books
  • Brand: Brand: Quarterman Publications
  • Published on: 1976
  • Binding: Hardcover
  • 548 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Winfield S. Frazeur IV
Great good. Good condition. Will make a great addition to my library.

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