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Ruskin's God is the first full-length study of the impact that John Ruskin's religion had on his many and varied writings. Part I, "The Author of Modern Painters," covers the first half of his career, when he was an Evangelical Christian and aimed to teach people how to see paintings, buildings and landscapes. In Part II, "Victorian Solomon," Michael Wheeler shows how in his later writings Ruskin, drawing on ancient wisdom, aimed to teach people how to live.
- Sales Rank: #6715925 in Books
- Brand: Cambridge University Press
- Published on: 1999-11-28
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 8.98" h x .87" w x 5.98" l, 1.24 pounds
- Binding: Hardcover
- 324 pages
- Used Book in Good Condition
Review
"...a thorough study of the many aspects of Ruskin's theology..." The Art Book
"a scholarly tour de force in the study of nineteenth-century literature and religion." Christianity & Literature
Most helpful customer reviews
1 of 1 people found the following review helpful.
The Persistence of Ruskin's Religious Impulse
By L. Mazzeno
Michael Wheeler argues convincingly that, despite his own protests to the contrary, John Ruskin was influenced throughout his life by his deepseated belief in a benevolent God. This thesis runs counter to conventional critical opinion that holds Ruskin abandoned religious belief in 1858, and that his later work provides a secular alternative to organized religion.
This work is well researched and intended for other scholars. Even the literate, well-read generalist outside 19th century studies may have difficulty tracing Wheeler's argument, since he references hundreds of works by Ruskin and by those who have written about him in the past century. Nevertheless, the argument is well constructed and should serve as a corrective to the tendency of postmodernist critics to revel in the agnosticism and atheism that pops up in several of Ruskin's writings during the middle years of his career.
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