Download Waterland, by Graham Swift
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Waterland, by Graham Swift
Download Waterland, by Graham Swift
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- Sales Rank: #13520415 in Books
- Published on: 2010
- Original language: English
- Number of items: 1
- Dimensions: 7.76" h x .91" w x 5.12" l, 1.10 pounds
- Binding: Paperback
Most helpful customer reviews
0 of 0 people found the following review helpful.
A modest story
By BHE and KMR
The parts did not come together to be a whole greater than their sum. The interweaving of the micro and macro events of history provides for an interesting scaffold, however, the prose does not gain escape velocity to lift the narrative.
One of my goals is to learn history and geography through historical fiction. To that end the author was successful and I am now more acquainted with the Fenland.
17 of 19 people found the following review helpful.
Once Upon A Time...History
By Nick DeAngelo
Through his sometimes over-inflated, long-winded and dramatic language, Graham Swift tells the story of history in his book Waterland, because history, to Tom Crick, the book's narrator, is just that: a story. "..." (135). The fairy-tales of history are constantly returning to claim the present time's mysteries as reoccurrences, soothing those who so boldly demand explanations. These explanations, however, cannot be found in studying French Revolutions or the New World; the purpose of history, education, and fairy-tales is to eliminate fear of what's to come. In the same way that Helen Atkinson soothes her veteran patients to mental health with her stories, the world inundates itself with fairy tales, convincing explanations for the way things are, the way things progress. Once faced with the loss of his job and a rebellious youth named Price, Crick tells his own story, beginning appropriately with "Once upon a time..." (7).
His story is told in realistic sequence, that is, as it comes to mind, in three parts. The present day conflict with overflowing curriculum loads, fanatical headmasters, and unmotivated students leads Crick to conceal his biggest fears of progression with fairy-tales, his own family history, laborers of water control and land reclamation, giving Crick his roots in the Fens, and also, the rise and decline of the Atkinson name, once a prominent brewing family turned to insanity and incest, tying all three together in an overview of world history.
As this book points out, history is not the only thing to move in cycles. Nature has its own dramatic role in this novel. The deceitful Eastern winds, sometimes bringing ample life to the region, other times signifying death. Stubborn silt landscapes refuse technological progression and falter the human desire to push on. Raging fires claim years of accomplishment in a matter of seconds, leaving an audience to gawk at its awesome ability. Tireless bouts with land reclamation foiled by a few days of rain and the reinstatement of river waters, crushing livelihoods effortlessly. How easily nature can retract what takes history decades to produce.
In doing all of this, Swift takes on an excessively optimistic, but admirable task. His story is one of ingenuity and poignancy, even, at certain points, grace, but his writing style is not an attractive one. Long, complex sentences (frequently interrupted by parenthetical additions that read longer than the sentences themselves) and overly dramatic ellipsis plague this novel. I cannot recall how many times I had to return to the beginning of a sentence, paragraph, or chapter to recapture my thoughts. This was extremely discouraging as a reader and certainly affected the amount of time I spent on this novel. Perhaps my short attention span and fastidious reading style is to blame for this because the content of the novel is wonderful. There were even points where I grew to appreciate the difficult writing style. In the end, the book felt like a lot of work, but because of its message and Swift's unique approach, it was a worthwhile read.
3 of 3 people found the following review helpful.
Return to Waterland
By Norman Dale
I read Waterland almost two decades ago when it first appeared and was nominated for the Booker Prize. Since then I maintained a memory of it as a masterpiece and commended to it scores of friends. I came back and re-read it after recently discovering (and reviewing elsewhere on Amazon.com) W.G. Sebald's "Rings of Saturn" I was inspired by the coincidence that both novels are set in the same water-logged landscape of East Anglia (England) and both are centrally concerned with the way that history (and divergent versions of history) as well as the geography affect the interwoven course of lives, famous and not.
My return to Waterland left me less sanguine and commendatory. The voice throughout is that of soon-to-be- forcibly retired history teacher, Tom Crick and the style almost all the way through is that of an excessively didactic lecturer, telling the mainly woeful tales of his family and forbears as these stretched over several centuries. All the while the teacher is badgering his class with ironic rhetorical questions which, after a few hundred pages begin to annoy.
Don't get me wrong: this novel is very entertaining and presaged the more refined unfolding of family tragedy and entanglements that Swift mastered in "Last Orders" (which did win the Booker). Perhaps like Tom Crick who always says too much, the younger Swift wanted to get it all out in one fell swoop in Waterland. And he sure did that: there is early adolescent sex, murder, incest, suicides, spousal battery, kidnap, arson, a great deal of madness and mental defect, and a vividly described botched abortion. Interspersed are the mysteries associated with land drainage, eel biology, brewing ale and the French Revolution all revealing Swift's fascination with the ultimately unknowable nature of nature, human and otherwise. A frequent switching back and forth through time adds to the intrigue allowing Swift to keep secrets from the reader about the twisted chain of causes and effects that ultimately explain the actions of Crick, his parents, his brother and his mentally disturbed wife.
I would still recommend Waterland but I also suggest that you follow it up with Sebald's more sparing, mature and, all said, better exploration of the same themes in the same geographic region.
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